Summer 2009
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How can we fully enjoy the wonderful music of this time of year
without suffering scratchy throats and
laryngitis? Just as important, how can
we participate in the singing without fear and cringing?
The first problem is fairly simple to address. Singers come in all styles, ranges and
sounds, whether as soloists or choral members, casual participants or karioki
aficionados. Yet ALL of us need to take
care of our precious “instrument”, the voice.
We often forget that it is made of flesh and blood, can and does wear
out with overuse or abuse, and needs a lot of TLC just like the rest of the
body. Perhaps it needs even more
watchful care than the rest of the body, as male vocal chords are less than an
inch long and female chords are a half-inch or so. We try to get a lot of sound out of those small, thin folds of
flesh!
There are many detailed guidelines around caring for the
voice. Here is a list of a few of my
most prized solutions:
- When
you are tired, rest.
- Take
it easy on the voice when your body/voice is tired, under the weather,
or you are under emotional stress.
Don’t push for high notes, volume or vocal longevity during these
times.
- If
your climate is dry, sip a tepid mixture of 1 part juice (not citrus)
and 3 parts water, or herbal tea with a small amount of honey or
sugar. The light touch of sugar in
the water helps to coat the chords and protect them from evaporative
drying. Too much sugar will create
mucous that gets in the way of clear singing. Extremely hot or cold liquid shocks the vocal chords.
- Never
eat lemons or drink lemon water.
The acid strips your vocal chords of natural lubrication. When they make sound, whether speaking
or singing, the rubbing action of your chords needs lubricant to operate
without abrasion.
- Nurture
your chords: Do not push,
shove, or force sound. If your
voice is quiet, be content for now with that and find a good teacher to
help you “grow” your voice.
Pushing will serve only to damage your chords, not to enhance the
voice.
- Be
watchful of how long you use your voice in any one day. If your job requires constant talking,
you need to lessen your singing time.
If your holiday choir rehearsals last for 4 hours, mouth the words
sometimes to give your voice a rest.
You are still practicing in your mind, learning your part and
watching your music while you do this.
Even healthy, strong voices should have a time limit of 2
continuous hours of singing in a day.
If you break the time up, you can stretch it a bit, but 3 hours
should be your absolute maximum, and that only on special occasions. (Remember there is usually down time in
a choir while other parts practice.)
If you are in a band, print off this page and take it to the instrumentalists. The band members should allow for some
songs that are just instrumental to give the singer vocal rest during gigs
and rehearsals.
Now for the second challenge: That of feeling self-conscious about singing but itching to sing
during a time of year when the doors seem to open to all and sundry to let
loose and join the fun. Singing was
once a community activity. When our
lives were simpler, before radio and television, we used to sing together for
entertainment. We sang as we worked, in
our religious gatherings, and around the home as a means of coming together to
share fun and precious moments as a family.
There were no radios conveying the finest voices. The only basis of comparison was the local
“expert” who happened to have natural talent.
But no one expected to sound like the expert. Singing was for everyone, regardless of talent or sound. Though our technological advancements have
certainly made our lives easier in some respects, some aspects of life have
become more difficult. Community is
harder to come by these days. And our
constant comparison to people we hear on the radio and TV, usually
electronically enhanced via recording devices and effects, makes us feel small
and awful about our voices. Whereas
singing was once simply making a joyful (or woeful with the blues) sound, now
it is deemed a skill we judge as good or bad depending upon how we measure up
to recordings. I find this development
sad and disconcerting. It’s up to us to
move our selves and our greater community back into a sense of singing for the
pure expression of it regardless of “quality”.
It will take great acts of courage, however.
In addition, I find that many people come to me having been
criticized as young people for the apparent inability to carry a tune or sound
the way another wanted them to sound.
These hurtful comments have often come from family members, music
teachers or choir directors. I am here
to say that EVERYONE CAN SING! If you
can talk, you can sing. Maybe not like
the radio right away, and maybe you need more practice finding pitches than
some who had more encouragement to practice when they were young. But you can sing! Don’t ever let those voices of the past stifle the expression
within you. It is a gift we all have
been given and it should never be stuffed down. Even if you begin by simply singing for and with yourself at
home, give the music within you voice.
During this time of year, I encourage all to take a leap of
faith and engage a healthy rebellious insistence upon the right to sing, to
join the throng and express yourself!
By
Linda Combellick
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